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Dmitry Bortnyansky - THE ITALIAN ALBUM $20.00
Caro Mitis
 Catalog Number:  CM0042003

Dmitry Bortnyansky
(1751-1825)
THE ITALIAN ALBUM
PRATUM INTEGRUM
ORCHESTRA

CM 0042003
Hybrid SACD

more info and audio samples
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HYBRID


"Sinfonia" from "Il Quinto Fabio" opera (1778) in C major

Aria "Cara deh torna in pace" from "Il Quinto Fabio" opera for soprano and orchestra
World Premiere Recording

Canzonetta "Ecco quell fiero istante" for soprano and string quintet
World Premiere Recording

Aria "Vas orner le sein de Themire" (1778) for soprano and strings
World Premiere Recording

Fuga (Studio) "Amen" for four-part choir and strings
World Premiere Recording

Motet "In convertendo dominus" (1777) for soprano, alto, basso and strings
World Premiere Recording

Motet "Ave Maria" (1775, Napoli) for soprano, alto and orchestra
World Premiere Recording

Motet "Salve Regina" (1776) for soprano and orchestra
World Premiere Recording

Motet "Montes valles resonate" (1778) for soprano, alto, chorus and orchestra
World Premiere Recording



PRESS REVIEW:

Caro Mitis CM 0042003 – Multichannel Hybrid SACD – 55 minutes

BORTNYANSKY: The Italian Album –
Galina Knysh, soprano; Elena Pozjidaeva, alto; Anton Vassiliev, baritone – members of the Russian Patriarchate Choir and the Moscow Boys Cappella – Pratum Integrum Orchestra / Pavel Serbin, Artistic Director

5 Stars - *****

Dmitry Bortnyansky is almost exclusively known as the father of the Russian Orthodox liturgical choral tradition (for a truly superb cross-section of that work, get the excellent Powers of Heaven SACD on Harmonia Mundi – very highly recommended). His combined output exclusive of his liturgical works totaled more than 200 other compositions, including operas, concertos, sonatas and symphonies. Manuscripts for most of these are lost, and the remaining works in general have been largely forgotten, with only fragments of his five operas and various motets remaining.

Bortnyansky showed great promise as a youthful choirboy in the court of Catherine the Great, and the Italian composer Galuppi (also a member of Catherine's court) begged to be allowed to take him to Venice for further education. The selections on this excellent disc are taken from his output during that period, hence the name, "The Italian Album."

Although all of the selections are performed on period instruments, there's none of the harshness or "thinness" sometimes associated with historical performances. The vocalists are superb; soprano Galina Knysh, who most often gets the spotlight, has a purity of tone and range that are equally impressive and thrilling to hear – she hits the really extended notes effortlessly. Most of the works here have a real chamber feel to them, but when the combined forces of choirs, orchestra and soloists join together on the finale, it's both passionate and majestic. As with the Bach disc noted above, every aspect of the sound presentation is superb, and bodes well for Caro Mitis. Very highly recommended.

- Tom Gibbs
Audiophile Audition

MA Recordings will soon be discontinuing the sale of Caro Mitis, the Hybrid SACD classical label from Russia.

All recordings produced by Caro Mitis (translated from the Latin as "Succulent Fruit") are pure multi-channel DSD productions, most of them recorded in the revered studios of The Russian Television and Radio Broadcasting Company (RTR) in Moscow.

Caro Mitis' policy is to present state-of-art performances of classical works by outstanding Russian & European musicians, ensembles & orchestras. The catalog contains a number of World Premiere Recordings, particularly of early music.

Caro Mitis fundamentals are:

• recording and postproduction by Polyhymnia International B.V. from Holland, the leader in the SACD format that also works with Harmonia Mundi, Pentatone and others.

• manufacturing of all titles as hybrid SACDs (thus allowing listeners to play the disks on regular CD-players as well as SACD players) at SONY DADC (Austria);

• unique designs for each disk (created by Kosta Gusalov - one of the leading Russian graphic artists) based on the use of national historical engravings

• multi-lingual booklets and inlays with extensive illustrated information

• a long-term recording program with a number of World Premiere Recordings every year.



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