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"Resonance" Original 176.4 kHz WAV file HiRez Download


\"Resonance\" Original 176.4 kHz WAV file HiRez Download

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Nima Ben David: Viola da Gamba

Works by Abel, J. S. Bach, De Machy, Hersant, Hume, Christodoulou and Gurdjieff

* Download of 24bit/176.4 kHZ WAV files and cover image.

This item is offered for use in Computer Audio and Hi-End Music Server applications.

MA Recordings is proud to present the Hi Rez download of this remarkable recording by one of the foremost interpreters of the Viola da Gamba, Ms. Nima Ben David!

* Please note that download links are sent manually and therefore may take some time before arriving into your email mailbox.

Karl Friederich Abel (1723-1787)

1) Prélude in D minor WKO 205 5:17

2) Arpeggio in D minor WKO 207 2:21

3) J.S. Bach (1685-1750): Sarabande from suite No. 6 in D major 5:06

4) Mr. de Sainte Colombe (ca: 1640-1690): Prélude in D minor 3:19

Le Sieur De Machy (1680) Suite

5) Prelude 1:10

6) Allemande 2:49

7) Courante 2:49

8) Sarabande 3:54

9) Gigue 1:26

10) Gavotte 1:05

11) Menuet 1:18

Philippe Hersant (2003) "L'Ombre d'un Doute"

12) Fanfare 1:11

13) La Messagere 1:16

14) Les Ombres 1:17

15) La Harpe d'Orphee 1:15

16) Les Espirits 1:29

17) Le Chemin de Jerusalem 7:34

18) Tobias Hume (ca: 1569-1645) Captain Hume's Pavan (No 46 from Musical Humors) 4:15

CH.Simpson (1605-1669)

19) Profusios 4:49

20) Prélude in D Major 1:18

21) Prélude in E minor 1:55

22) Tobias Hume: Pavan in A 4:01

23) Ch.Christodoulou (2007): Fantaisie du Village 4:16

24) G.I. Gurdjieff: (1925) Prière pour la miséricorde 3:19

The album was recorded in July 2010 over the course of three hot summer days in the medieval chapel of Terres de Chaux, Le Doubs, France. MA's newly acquired KORG MR2000s DSD recorder was utilized at the ultra high sampling rate of 5.6 MHz. One pair of DPA 4006 microphones was used together with custom microphone amplification built by Marcel Croese of Creato Audio ( Microphone cabling was Crystal Cable Ultra with line level cables by Creato Audio. The project was downsampled to 176.4 kHz PCM with Korg AudioGate software before editing and mastered using Samplitude Master software.

Produced and Engineered by Todd Garfinkle

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